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001			213113
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035			_a(RuTPU)RU\TPU\book\232877
090			_a213113
100			_a20120406d2001 m y0engy50 ba
101	0		_aeng
102			_aGB
105			_ay z 001ay
200	1		_aIn-Yer-Face Theatre. British Drama Today _fA. Sierz
210			_aLondon _cFaber and Faber _d2001
215			_a274 p.
320			_aBibliography: p. 251-265.
320			_aIndex: p. 266-274.
330			_aIn-Yer-Face Theatre is the first book to look at this exciting outburst of creativity, controversy and theatrical innovation. It argues that plays such as Trainspotting, Blasted and Shopping and Fucking are much more than a collection of shock tactics - taken together, they represent a consistent critique of modern life, one which focuses on the problem of violence, the questioning of masculinity, the myth of post-feminism and the futility of consumerism. The book contains extensive interviews with playwrights, and examines their work, giving a real feel of what’s like to watch cutting-edge drama come alive on stage. Writers discussed include Simon Block, Jez Butterworth, David Eldridge, Harry Gibson, Nick Grosso, Sarah Kane, Tracy Letts, Martin McDonagh, Patrick Marber, Phyllis Nagy, Anthony Neilson, Joe Penhall, Rebecca Prichard, Mark Ravenhill, Philip Ridley, Judy Upton, Che Walker, Naomi Wallace and Richard Zajdlic.
606	1		_aТеатр _2stltpush _3(RuTPU)RU\TPU\subj\58738
610	1		_aискусство
610	1		_aтеатральные представления
610	1		_aдраматургия
610	1		_aдрамы
610	1		_aВеликобритания
610	1		_a20 век
610	1		_aанглийский язык
675			_a792 _v3
700		1	_aSierz _bA. _gAleks
801		1	_aRU _b63413507 _c20120406
801		2	_aRU _b63413507 _c20120416 _gRCR
942			_cBK