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| 001 | 660975 | ||
| 005 | 20231030041729.0 | ||
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| 090 | _a660975 | ||
| 100 | _a20191114a2019 k y0engy50 ba | ||
| 101 | 0 | _aeng | |
| 105 | _ay z 100zy | ||
| 135 | _adrgn ---uucaa | ||
| 181 | 0 | _ai | |
| 182 | 0 | _ab | |
| 200 | 1 |
_a“The Rivers of France” by J. M. W. Turner in the Intermedial Perspective _fI. V. Novitskaya [et al.] |
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| 203 |
_aText _celectronic |
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| 225 | 1 | _aAdvances in Intelligent Systems and Computing book series | |
| 300 | _aTitle screen | ||
| 320 | _a[References: 20 tit.] | ||
| 330 | _aThe article deals with intermedial features of the book edition of engravings “The Rivers of France” (1837) based on W. Turner’s watercolours. It examines how the interplay of perceptual modes contributes to the construction of a multimodal narrative based on a journey and transmission of aesthetic and emotional load produced by the affordances of its textual and pictorial formats. It also investigates how principles of “poetic painting” philosophy are instantiated in the composition and thematic content of the engravings. The article describes the analyzed material, summarizes its discourse clues, identifies narrative stimuli in the engravings, and interprets them with regard to the underlying concepts of intermediality and poetic impact of the pictorial art. Such an approach results in identification of the central semiotic object in the engravings – the river – that represents a visual metaphor allowing for multiple interpretations. Underlying W. Turner’s conceptual domain, the river symbolizes both life dynamics and its stability. | ||
| 333 | _aРежим доступа: по договору с организацией-держателем ресурса | ||
| 461 | _tAdvances in Intelligent Systems and Computing | ||
| 463 |
_tVol. 907 : Going Global through Social Sciences and Humanities: A Systems and ICT Perspective (GGSSH) _oThe 2nd International Conference, 27-28 February 2019, Tomsk, Russia _o[proceedings] _fed. Zh. Anikina _v[P. 313-324] _d2019 |
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| 610 | 1 | _aэлектронный ресурс | |
| 610 | 1 | _aтруды учёных ТПУ | |
| 610 | 1 | _aintermediality | |
| 610 | 1 | _anarrative | |
| 610 | 1 | _aturner | |
| 610 | 1 | _aengraving | |
| 610 | 1 | _apoetic painting | |
| 610 | 1 | _aпоэтические произведения | |
| 610 | 1 | _aживопись | |
| 610 | 1 | _aинтермедиальность | |
| 701 | 1 |
_aNovitskaya _bI. V. _gIrina Vladimirovna |
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| 701 | 1 |
_aPoplavskaya _bI. A. _gIrina |
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| 701 | 1 |
_aKhodanen _bL. A. _gLyudmila |
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| 701 | 1 |
_aVorobyeva _bV. V. _clinguist _cAssociate Professor of Tomsk Polytechnic University, Candidate of philological sciences _f1976- _gViktoriya Vladimirovna _2stltpush _3(RuTPU)RU\TPU\pers\34150 |
|
| 712 | 0 | 2 |
_aНациональный исследовательский Томский политехнический университет _bШкола базовой инженерной подготовки _bОтделение иностранных языков _h8029 _2stltpush _3(RuTPU)RU\TPU\col\23510 |
| 801 | 2 |
_aRU _b63413507 _c20191114 _gRCR |
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| 856 | 4 | _uhttps://doi.org/10.1007/978-3-030-11473-2_33 | |
| 942 | _cCF | ||