| 000 | 06765nlm1a2200541 4500 | ||
|---|---|---|---|
| 001 | 665785 | ||
| 005 | 20231030042015.0 | ||
| 035 | _a(RuTPU)RU\TPU\network\36989 | ||
| 035 | _aRU\TPU\network\36823 | ||
| 090 | _a665785 | ||
| 100 | _a20211115a2020 k y0rusy50 ca | ||
| 101 | 0 |
_arus _deng |
|
| 102 | _aRU | ||
| 135 | _adrcn ---uucaa | ||
| 181 | 0 | _ai | |
| 182 | 0 | _ab | |
| 200 | 1 |
_aСакральная семантика тувинского традиционного костюма _dSacred semantics of Tuvan traditional costume _fШ. Б. Майны, М. С. Кухта |
|
| 203 |
_aТекст _cэлектронный |
||
| 300 | _aЗаглавие с экрана | ||
| 320 | _a[Библиогр.: 13 назв.] | ||
| 330 | _aЦелью работы является исследование сакральной семантики традиционного костюма. Объектом исследования является тувинский народный костюм, предметом - знаково-символическая природа традиционного костюма тувинцев. В исследовании применяются культурно-исторический анализ, выявляющий специфику национальной одежды тувинского народа и ее виды, а также структурно-семиотический метод, позволяющий исследовать особенности знаково-символической природы национальной одежды. Результатом исследования является систематизация культурных видов костюма и выявление их символического звучания в конкретном материальном выражении (форме, крое, элементах декора). | ||
| 330 | _aThe relevance of the work is due to the need to study the features of the cut and decoration of the Tuvan costume, which are, on the one hand, a bright unique ethnic image, and on the other hand, carry the universal laws of the Universe inherent in the cultures of all the peoples of the Earth. The traditional costume is included in the "cultural core" of the Tuvan people and contributes to the preservation of its national identity. The aim of the work is to study the sacred semantics of a traditional costume. The object of research is the Tuvan folk costume, the subject is the sign-symbolic nature of the traditional Tuvan costume. The study uses a cultural-historical analysis that reveals the specifics of the Tuvan national clothing and its types, as well as the structural-semiotic method, which allows you to explore the features of the symbolic and symbolic nature of national clothing. National clothing is a complex structure that includes numerous types of upper and lower clothes, hats, shoes, jewelry, personal items and hairstyles. Tuvan clothes are classified according to their age and sex and eight traditional types are distinguished: children's, girls's suits, boys's suits, bridesmaids suits, women's suits, men's suits, and older's suits. The traditional costume of Tuvans is a ritual object that has rich sacred semantics. The Tuvan costume is considered not only as a thing, but also as a symbolic sacred form, a sign in the context of culture. This semantic status of folk clothes was to be read and understood both by its owner and other members of traditional cultural communities, as a "sign (symbol, code, artistic image), composed of clothing, shoes, accessories, external behaviors, characteristics of the figure and human personality. | ||
| 330 | _aThe costume language is an image of the real world, the accumulated spiritual experience of people, the practical and aesthetic values of previous generations. Each element of the traditional costume had both functional significance and sacred semantics. The forms of cut and elements of the traditional Tuvan costume acquired particular semantic significance and translated the unity of the "earthly" and "sacred" worlds of mythological consciousness. The traditional Tuvan costume as the most important element of the material culture of the Tuvan people is a "mirror of myth", reflecting various spheres of life, both material and spiritual. The traditional costume captures the diversity of all aspects of human life, the complexity of social relations and human behavior patterns in material embodiment. The entire costume complex is an integral system of ordered and interconnected signs and symbols, through which the accumulation, organization and transfer of cultural experience is carried out. The result of the study is the systematization of the cultural types of costume and the identification of their symbolic sound in a specific material expression (form, cut, decoration elements). | ||
| 333 | _aРежим доступа: по договору с организацией-держателем ресурса | ||
| 461 |
_tВестник Томского государственного университета. Культурология и искусствоведение _d2011- |
||
| 463 |
_t№ 40 _v[С. 242-249] _d2020 |
||
| 510 | 1 |
_aSacred semantics of Tuvan traditional costume _zeng |
|
| 610 | 1 | _aэлектронный ресурс | |
| 610 | 1 | _aтруды учёных ТПУ | |
| 610 | 1 | _aнациональные костюмы | |
| 610 | 1 | _aТува | |
| 610 | 1 | _aсемантика | |
| 610 | 1 | _aмифы | |
| 610 | 1 | _aкультурные коды | |
| 610 | 1 | _aнациональная одежда | |
| 610 | 1 | _aтувинцы | |
| 610 | 1 | _atraditional costume | |
| 610 | 1 | _asemantics | |
| 610 | 1 | _amyth | |
| 610 | 1 | _acultural codes | |
| 610 | 1 | _aTuva | |
| 700 | 1 |
_aМайны _bШ. Б. _gШенне Борисовна |
|
| 701 | 1 |
_aКухта _bМ. С. _cспециалист в области промышленного дизайна _cпрофессор Томского политехнического университета, доктор философских наук _f1963- _gМария Сергеевна _2stltpush _3(RuTPU)RU\TPU\pers\28641 |
|
| 712 | 0 | 2 |
_aНациональный исследовательский Томский политехнический университет _bИнженерная школа новых производственных технологий _bОтделение машиностроения _h8881 _2stltpush _3(RuTPU)RU\TPU\col\27843 |
| 801 | 2 |
_aRU _b63413507 _c20211115 _gRCR |
|
| 856 | 4 | _uhttps://www.elibrary.ru/item.asp?id=44557503 | |
| 856 | 4 | _uhttps://doi.org/10.17223/22220836/40/22 | |
| 942 | _cCF | ||